Once we’d screened it, Sean asked me to indulge him for a minute and asked me to take a huge chunk out of the overall sequence. Sean and I went to an editing bench where I could screen it for him, then he asked me to cut the shot into the workprint-in-progress so he could see what it looked like in context, which is a very smart way to evaluate the work. There was one incident where I had to deliver a finished VFX shot on a Saturday when nobody else was in the office. Sean, in particular, is a lot more film-savvy than many people give him credit for. We had discussed it on several occasions, but so far it hasn’t come to pass. Magliochetti: Sean and Adam were both great to work with – and I’m very much looking forward to working again with either of them in the future. I actually liked the fact that it wasn’t as formulaic and redundant as some of the earlier entries in the series, although I’m not sure the direction they took the story in for this film was the best choice in terms of overall continuity in the series.īD: Did you get along with producer Sean S. Magliochetti: Well, in all fairness, when you have an immortal character who keeps getting resurrected for each sequel, I think there’s kind of a built-in supernatural element as it is. The idea being that since we knew each other on a personal level there would be a lot more camaraderie between the makeup effects and the visual effects departments, rather than one trying to upstage the other.īD: Did you think it was a good script? How did you feel about the writer adding a supernatural element to the franchise? In this exclusive interview with FX legend Al Magliochetti of Frankenhooker and Brain Damage fame, we go in-depth on one of the most overlooked aspects of the divisive sequel and the eye candy that makes it pop.īloody Disgusting: What led to you doing the visual FX on Jason Goes to Hell: The Final Friday?Īl Magliochetti: I was very good friends with the guys at KNB and one of them alerted me to the project once they’d been contracted for the makeup effects. It attempted to add a mythology to the franchise, like the introduction of a bounty hunter ( Creighton Duke) who has a history with Jason and knows the entire lore surrounding the Voorhees bloodline.
#CONDEMNED 2 BLOODSHOT DEMON IN XRAY MOVIE#
Much like Halloween III: Season of the Witch, Father Time has been kind to the movie because it was trying for something different instead of just retreading the same ideas over and over again. Writer Dean Lorey went for an out-of-the-box storyline that had our favorite hockey-masked killer, Jason Voorhees, getting blown to kingdom come and having his essence of evil transferred to… other people. The ninth installment in the lucrative Friday the 13 th franchise, Jason Goes to Hell: The Final Friday, is widely considered the bastard film that was disowned by almost every viewer upon its entrance into the world in 1993.
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